{"id":334,"date":"2023-09-01T16:15:42","date_gmt":"2023-09-01T16:15:42","guid":{"rendered":"https:\/\/vooyo.id\/?p=334"},"modified":"2025-05-30T08:42:36","modified_gmt":"2025-05-30T08:42:36","slug":"chanel-les-4-ombres-byzance-collection-now-available","status":"publish","type":"post","link":"https:\/\/vooyo.id\/index.php\/2023\/09\/01\/chanel-les-4-ombres-byzance-collection-now-available\/","title":{"rendered":"Chanel Les 4 Ombres Byzance Collection Now Available"},"content":{"rendered":"
\n \"Chanel\n <\/div>\n

Release Date + About the Launch<\/h2>\n
\n
\n

\nByzance: eternal, opulent, artistic, baroque. Gabrielle Chanel once asked herself, \u201cWhy does everything I do end up with a Byzantine feel?\u201d The CHANEL Makeup Creation Studio, inspired by Mademoiselle\u2019s jewelry pieces featuring bold combinations of precious stones and p\u00e2tes de verre, has designed 4 eyeshadow palettes that give the gaze a mesmerizing look.<\/p>\n<\/p><\/div>\n

Now online<\/h4>\n
\n Chanel<\/a> <\/div>\n<\/p><\/div>\n

Products in the Launch<\/h2>\n
\n

Les 4 Ombres Byzance<\/strong>, $70.00 (Limited Edition)<\/h4>\n
    \n
  • Parure Venitienne<\/span> A harmony of carnelian, beige gold and brown amber hues, complemented by a green moonstone top coat<\/li>\n
  • Parure Imperiale<\/span> A quartet of rich colours, including yellow sapphire, red quartz and garnet, as well as a rose gold top coat<\/li>\n
  • Parure Baroque<\/span> An ensemble with tones of ruby red, antique gold and emerald, as well as a pearly white top coat<\/li>\n
  • Parure Cristal<\/span> Hues of pink opal, rose quartz and smoky taupe quartz are accentuated by an aqua quartz top coat<\/li>\n<\/ul>\n<\/div>\n

    \"Chanel<\/p>\n

    Chanel Les 4 Ombres Byzance Collection Now Available<\/p>\n

    \"Chanel<\/p>\n

    Chanel Les 4 Ombres Byzance Collection Now Available<\/p>\n","protected":false},"excerpt":{"rendered":"

    Release Date + About the Launch Byzance: eternal, opulent, artistic, baroque. Gabrielle Chanel once asked herself, \u201cWhy does<\/p>\n","protected":false},"author":1,"featured_media":336,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[11],"tags":[],"_links":{"self":[{"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/posts\/334"}],"collection":[{"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/comments?post=334"}],"version-history":[{"count":3,"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/posts\/334\/revisions"}],"predecessor-version":[{"id":339,"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/posts\/334\/revisions\/339"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/media\/336"}],"wp:attachment":[{"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/media?parent=334"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/categories?post=334"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/vooyo.id\/index.php\/wp-json\/wp\/v2\/tags?post=334"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}